heads and thraws (wring it out) (2025)
instrumentation
Quartet: Piano, MIDI Keyboard*, 2 percussion**
*+ MacBook Pro running Logic Pro
**Percussion 1: 2 toms, bongos, 1 suspended cymbal, concert BD, 2 tuned gongs (D4, A-flat4), Bamboo chimes
Percussion 2: 2 toms, medium tam-tam, china cymbal, 2 almglocken (B-flat3, F4), crotales, 2 woodblocks
*check score excerpt for details about keyboard programming and percussion instruments
duration
7’
Written for Yarn/Wire International Institute: Creative Studio
premiere
13 August 2025 | NYC, NY, USA | Yarn/Wire
heads and thraws (wring it out)
I. first knot - c.3’
II. second knot - c.4’
Programme note
I like to think that the creative process is comprised of a convoluted collection of threads which call out, at some point, either to be untangled or tied together (knotted) for one purpose or another. In my recent works, the knot has become one of my go-to metaphors for the act of “fixing” (i.e. fastening) musical ideas using notation. This current work is made of up two movements which exist as two unique “knots”. Their respective ternary musical structures mirror one another, and serve as a “preview” of two possible approaches to dealing with the limited set of sound objects which I’d established during the process of sketching. The first movement (“first knot”) is written in the manner of the opening of a larger work. The second (“second knot”) as a bite-size encapsulation of a larger, imagined work.
— Njabulo Phungula