Njabulo Phungula (b. 1993) is a composer from Durban, South Africa. He writes music which explores intrapersonal communication and identity, and metatextuality. His work reveals a fascination with elastic textures and the decontextualising of sound objects by engaging with narrative and form as means of documenting the labyrinthine nature of the creative process.

His works have been performed in South Africa, the USA, and across Europe, by Klangforum Wien, ensemble recherche, International Contemporary Ensemble, Kompass Ensemble, Yarn/Wire, JACK Quartet, Odeion String Quartet, PULSE, Mizar Trio, Christine Chapman, Marco Blaauw, Bronwen Clacherty, Stephanie Lamprea, Midori Samson, and Naomi Sullivan, among others. Along with Brydon Bolton, he also co-composed the music for Louis Coetzer’s work autoplay for Darkroom Contemporary Dance Theatre. He has received commissions and grants from NewMusicSA, the New Music Forum at Stellenbosch, JACK Studio, impuls, and the Goethe-Institut, and his works have been featured at festivals such as Unyazi Music Festival: Infrastructures, the SASRIM Composers’ Meeting, Deep Time, and ISCM World New Music Days, impuls, Cortona Sessions, Wien Modern, as well as the ‘Always, Already There’ programme in Berlin.

He was a JACK Studio Artist (2020-22), a Postcolonial Recherche fellow (2021-22), and is currently a LamnthLab participant (2025/26). He was named as a laureate of the impuls Composers Competition for 2025, received the 2023 Henri Lazarof International Commission Prize, as well as the 1st prize at the inaugural SASF Composers Competition for his work Bound objects.

He holds a BA Hons degree from the University of KwaZulu-Natal where he studied composition under the supervision of Jürgen Bräuninger, and later with Clare Loveday.